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Showing posts from March, 2019

Unit 2 cv

Robert Halligan CV 10 Souter View Tyne and Wear, England SR6 7HU Phone: 07958 118329 E-Mail: rhalligan08@gmail.com Professional summary: I am a very ambitious and enthusiastic person who works well both on my own and as part of a team. I am confident and motivated to do my best, and I have a strong desire to develop a career in the Media Industry. My interests include television,video games and music. Skills: Good understanding of Photoshop and PremierPro. Creative.  Can take lead if needed. Good at following directions. Punctual.  Experience: November 2018 - Spark FM Sunderland - Work experience I learnt how to research useful news for radio. I helped get news for the radio show. I was then also taught how to write engaging articles about music. I was taught how to run a live radio show, using the program.  August 2018 - Jack O'Leary Cinematography- Runner     I worked with my friend Jack who is a freelance ci...

Unit 21 Film Editing report

Continuity editing Continuity editing is when shots are edited together, or different components cut from a single shot, into a logical sequence so the viewer's attention is directed to a story across both time and physical location. It creates an illusion of continuous action, hence the viewer will not notice the transition between shots and their focus will be narrative-driven. None continuity editing None continuity is when shots are mismatched to disrupt the impression of time and space. This will get the audiences' attention directed to the process of cutting and disturbs the illusion of 'reality'. Montage, flashback, and jump cuts are examples of non continuity editing. The movie Rocky  features a very famous none continuity editing which is a montage. The Purpose of editing Manipulation of time is key. Speeding up,slowing down, compressing and stretching time. This can be done with time lapses and montages. Perception of space is another part. Logical and...

single camera techniques report

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Single camera production is using the same camera to capture various shots and angles using the same camera. The camera is moved and reset to get each shot and angle. If in a scene between to conversing actors, first it will face actor A, then to actor B once he speaks, and it will keep rotating back and forth till the end of the scene. Then in post production then can decide to choose when who the camera will be facing. It could face actor A as actor B is listening, or face actor B as they are listening and actor A is speaking. The single-camera setup was developed in Hollywood cinema in the 1910s and has remained the standard mode of production for cinema; in television, both single cameras and multiple-camera productions are common. Single camera production Multiple camera production Multiple-camera setup consists of multiple cameras arranged to capture all of the different angles of a scene simultaneously, and the set must be lit to accommodate all camera setup...